Legally Blonde, the musical, as any 13-year old girl knows, is the girl-power Broadway show that tells the tale of Elle Woods trip to Harvard Law School, initially to follow her ex-boyfriend, and ultimately to find success as a lawyer, find new love, and save the day for a former sorority sister accused of murder. I mention the 13-year old girls, because the Broadway Production was televised on MTV continuously for about three months last year, creating it’s own super-buzz and following. The tour now stops at the Fisher Theatre — and it’s good.
It’s easy to dismiss this entertaining musical — but sit in the theatre for a live presentation for a few hours and you will find yourself completely delighted by the show and its infectious energy and music.
Becky Gulsvig as Elle Woods in Legally Blonde, the Musical. Photo courtesy Broadway in Detroit.
Seen in a matinee performance filled with screaming 13-year old girls (continuing the nauseating trend started with Wicked and it’s screaming-fan audience after every song) Becky Gulsvig appears to be having the time of her life, and the energetic and talented cast exudes charisma. The screaming was there at the Palace Theatre too, by the way, when I saw the show in NYC. It’s a loud show — and not in an appropriate way: the kids talk during the show, eat candy, tear open bags of treats, and act like they are at a movie theatre. You will most likely fare better at an evening performance when the 13-year olds (and their 9 year old sisters) are at home in bed.
For those who have seen the Broadway production, there are a few minor set changes but the production is generally intact…but Jerry Mitchell’s highly energetic directing/choreography work well at the Fisher, and the show is really quite fun.
There isn’t much to think about on the way out the door, but it’s an entertaining piece of musical theatre that fares much better than a lot of movies-turned-into-musicals — and look out when this show is released for amateur production — every high school, college, and community theatre will be jumping on this one: a pop-rock score with enough roles for girls, and its guaranteed amateur theatre overkill. See it now with a professional cast and production values and it’s a show you can genuinely call charming. See it next year at your daughter’s high school and not so much.
Recommended, and better than you would think.
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