Very Funny “Criminal Hearts” at Ann Arbor Civic Theater (Review)

Cami Fussey has directed a very funny production of Jane Martin’s “Criminal Hearts” at Ann Arbor Civic Theater, and you have one more chance to catch it as it only plays this one weekend (the usual Ann Arbor Civic Theater dilemma).

Telling you much about the plot would ruin the twists and turns, but as stated in the program, Bo,  a streetwise burglar breaks into Ata’s apartment which has already been completely emptied out of furniture by her philandering husband, Wib – the two of them, together with getaway driver Robbie, join forces to take Wib for all he’s worth.

With multiple twists and turns, the (very) funny script takes these two oddball women for a ride.

Elisha Kranz is a fine agoraphobic (and that’s only the beginning of it) Ata, and Tomi Dres is a good Bo. The two of them play off of each other well (as should be in a piece that primarily focuses on the two of them). Christopher Ankney makes his stage debut as the funny Robbie, and David Widmayer is hilarious as he creates a strange and nasty Wib.

Cami Fussey has directed the piece with an eye to character development while letting the jokes flow naturally and rapidly — things feel like the characters are discovering these quirks (and strengths) as the audience does, and it all flows nicely — no matter how absolutely bizarre. The 1:40 piece flies by (there is one intermission). Everything looks terrific on the set designed by Cami and built and lit by Scott Fussey.

Stage Managed by Lisa Gavan, Produced by Christopher Ankney, Light and Sound operated by Nate Dewey, and Production Assisted by Dane Larsen.

Today’s educational moment: nobody really knows who playwright “Jane Martin” is — though almost all of his/her works originate at Actors Theatre of Louisville and there is constant speculation online about who the writer (or possible writers) are. The playwright’s name is a disambiguation.

I had a great time, and I think you will too. There’s only one more chance to see it today – this afternoon (sunday June 18th) at AACT’s studio – 322 W. Ann Street — tickets at the door.

Highly Recommended.

 

 

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