Something very rare happened at the Fox Theatre last night in Detroit. I walked to the Box Office at intermission to get a ticket to see the show a second time for later in the weekend. Little House on the Prairie, the Musical, is wholesome, lovely, and pure. It brings something to the musical theatre that hasn’t been seen in a long, long time — a STORY, told simply, with a great cast, costumes, set, and fully geared to the entire family.
Granted, this is not West Side Story. The tale being told here is simple, humorous, and lively. It’s family theatre, and it’s fine. Seen only a few weeks after the not-ready-for-primetime “101 Dalmations, the musical”, Little House is a breath of fresh air – and I mean that in the best way.
While the musical follows the written books, not the tv show, everything here will be familiar (at least to 30-somethings and up). But there is a wonderful story for your young ones to follow as well. The audience was rapt to the show from start to finish, and I have to admit, there are some big tears by the end of the show — I dare you not to well up. I dare you, because you SHOULD well-up — it’s directed beautifully and performed pitch-perfectly to the style and size of the show, and the emotions are perfectly manipulated for you. I’m a big fan of gratuitous emotional manipulation if it is done right — and here it is done right — it sneaks up on you and catches you with a lump in your throat for most of Act II (which is stronger, by the way, than Act I).
Once again, the Fox Theatre proves to be the wrong venue for the production – and was more than half empty at the performance I saw. This is a musical that deserves to be seen. It came to town with great word of mouth from audiences, and critical word of mouth from theatre folks I know. Well, they’re Scrooges if they can’t take a family-classic and enjoy it for a couple hours. I loved it. As I stated before, I loved it so much I’m going back to see it again.
If you saw the musical version of LITTLE WOMEN a few seasons ago, you’ll instantly be familiar with the style of story theatre employed here — props become other objects, set changes and technical objects are kept to a minimum, and the musical focuses on the story at play.
The music is lovely — it evokes Americana at it’s best; though like Aaron Copland or Charles Ives, it soon fades away from memory. But it’s integrated well with the lyrics, and it sweeps you along on, well, the prairie. The art design is perfect for the show, and reminds you that life used to be lived on a much larger canvas than it is now. And the cast itself is one of the most appealing I’ve seen in a long time.
Highly recommended — and I mean that in the most genuine, wholesome, lovely, purest way. This is clean-cut American musical theatre, and it deserves to be seen. Forget the cynics, just get your tickets. It’s here through Sunday. There is nothing objectionable for your little ones (though you might have to explain some of the storyline to them on the way home). Let me just warn you — if you think “Rent” is the best musical ever written, you are going to absolutely hate this musical — call it the anti-Rent…it’s the kind of show that was a dime a dozen in the 50’s — the musicals I grew up on, and the musicals that I consider the “heart” of musical comedy.
And that’s the view from Ann Arbor today.
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