jump to navigation

CITY OF ANGELS at Croswell is jazzy and “reel” fun… August 1, 2009

Posted by ronannarbor in Entertainment, Theatre.
Tags: , , , , , , , , , , , , , , , , , ,
trackback

Croswell Opera House has a doozy of a show in the Tony-winning CITY OF ANGELS currently playing in Adrian.

wp0_wp1774ac9c

Considered by many to be Cy Coleman’s best score, from the rhythmic driving beat with scat vocal quartet accompaniment to the patter of “Everybody’s gotta be somewhere” and the lush jazzy “It needs work” the score is a masterwork, that sounds utterly fantastic in the hands of musical director Jonathan Sills and his more than able orchestra. It’s more than just accompaniment in this show, it’s the drive and energy to which the piece is set, and it delivers from start to finish.

The cast is top notch – with special kudos to UM vocal performance student Joshua Glassman as writer Stine, whose vocal training is evident from his first note through his last, where his voice projects naturally and cleanly without ever seeming forced, even in big belt numbers like “Funny”. It’s a joy to hear, and this young man has a long successful career before him. See (and hear) him here first.

It helps that he and James Swendsen (alter-ego detective Stone) have a natural chemistry together on stage — they play off of each other in a fashion that truly delineates the creator/creature line and makes for a fun flip when the lines get blurred in later goings. Swendsen has a more pop-oriented sound to his voice, and the two of them match remarkably well vocally in their scenes together.

The women fare equally well in Sarah Lynne Nowak’s Donna/Oolie  and Emily Tyrybon’s Alaura/Carla. Both have terrific stage presence and voices to match.

Bruce Hardcastle turns in an energetic performance as Buddy/Irwin. In a role that threatens to carom out of control on each turn, it doesn’t, and remains funny and consistently on character throughout. Other supporting players range from great (the quartet) to good. There are a few missed notes here and there by supporting players, but nothing that distracts from the overall skill level of this adept cast.

The set looks great and works well with it’s split level design, the show moves rapidly from scene to scene and set changes don’t miss a beat, and the lighting is appropriately bright and colorful for color-scenes and moody and shadow-strewn for the Black and White “movie” scenes. What originally seems a bit murky and dark in the opening sequences eventually establishes a visual design that just plain old works as the show progresses.

That it all hangs together so well, and so cleanly, is the wonderful work of director/choreographer Stephanie L. Stephan. She understands that this is a difficult story to follow, and directs with large, masterful strokes that allow the audience to easily follow the action on stage. No mean feat, considering the many plot turns, and the stage-convention of switching back and forth from real-life to alter-ego movie action throughout using the same actors. This was achieved on Broadway through miraculous (and at that time ground-breaking) instantaneous ability to drain color out of sets and costumes through lighting and paint technique. Here it is up to the director to make it work, and it works terrifically.  This is a very difficult musical to design and produce, as other theaters can attest, from the passable production at University of Michigan a few seasons ago, to the disastrous Ann Arbor Civic Theatre production many years ago. Make no mistakes, this current production is in a league of its own. Congratulations.

The script and lyrics are smart and funny, with enough suspense thrown in to make it all work. I saw the production in its original Broadway run several times, and it becomes smarter and wittier with each viewing. Mix-in the tremendous musical score, the great performances, and swirl it all around by a top notch director and crew, and you have a tasty, jazzy, funny musical comedy treat at Croswell Opera House this summer, my favorite by far of this season’s offerings — not just at Croswell, but anywhere regionally this summer.

City of Angels continues this weekend and next weekend. Tickets at croswell.org or 517-264-SHOW(7469).

Advertisements
%d bloggers like this: