jump to navigation

Emotion-filled “Cabaret” at Ann Arbor Civic Theatre (review) October 27, 2017

Posted by ronannarbor in Community Theater, musical theater, Musicals.
Tags: , , ,
comments closed

I’d normally start this review by telling you to go get tickets now for AACT’s “Cabaret” this weekend at the Arthur Miller Theatre, but since the run only has a handful of tickets left for Sunday afternoon, I’ll just start by saying that director Kat Walsh, choreographer Tyler Stickel, and Musical Director Jennifer Goltz have molded a terrific and emotion-filled production that audiences will remember long after the final scene. If you’re lucky to get those final few tickets, you’ll have a great theatrical experience.

Photo by Lisa Gavan

Front-loading this production with an incredible performance by Trish Fountain as the Emcee, and a mesmerizing performance by Laura Dysarczyk, Walsh’s 18-member cast functions as a true ensemble – whether that is performing Stickel’s innovative and excellent choreography, or singing those terrific Kander and Ebb songs (Goltz’s on-stage orchestra is outstanding as is the vocal work here).

You know the story so I’m not even going to repeat it here, except to say that there is also very strong work by Chris Grimm as Cliff, spot-on work by Greg Kovas as Ernst, and a earthy and lovely performance by Jessica Ryder as Fraulein Schneider.  It makes this crumbling pre-nazi Weimar Republic Berlin feel very real indeed.

Leisurely paced (maybe a touch too leisurely at 2:45) there are some terrific moments in this production – I don’t want to give them all away but a sequence in which a young Hitler Youth member defaces a stage curtain is particularly striking. There are a few awkward scene changes that slow the proceedings – but while the production isn’t exactly steamrolling into the nazi era, it is at least unstoppably heading there. For those familiar only with the original production of the 1966 Cabaret it is good to know that this production uses the 1988 revival version – the one that cuts some of the more upbeat music and better integrates Cliff into the storyline, catapulting the final moments into the nazi era. Cabaret has never been a fun-filled Broadway evening out, but the revisal is a no-holds barred, dark, emotional affair. And that is no different in Walsh’s production.

Highly Recommended.

If any tickets remain, or are returned, you can check at the box office day of show. Cabaret continues through Sunday afternoon at the Arthur Miller Theatre on UM’s North Campus. If any tickets remain (Fri and Sat are entirety sold out, a handful remain as of this writing for Sunday afternoon) you best go to a2ct.org to get them.

 

 

Advertisements

Stirring, tight, intimate “Cabaret” at The Dio (review) September 23, 2016

Posted by ronannarbor in musical theater, Musicals.
Tags: , ,
comments closed

img_2041

Kander and Ebb’s Cabaret has always been a musical theater masterwork. You are in for a stirring and tightly produced production at The Dio. In this intimate setting, the show feels particularly touching.

Steve DeBruyne directs and plays a terrific Emcee and he keeps the energy high and always on the move. There is clever use of minimal furniture and Matt Tomich’s set and lighting design is great. There’s a particularly creative use of the set during the production’s excellent final moments (the production uses the revival version of the show). Michelle Marzejon provides top notch choreography — this show moves. Norma Polk’s costume design looks fantastic as does Christopher Kamm’s hair and makeup. Brian Rose’s musical direction and 5-piece band are terrific.

Liz Jaffe acts and sings a particularly strong Sally Bowles and Peter Crist is perfectly marvelous as Cliff Bradshaw.  Jared Schneider is excellent as Ernst. Dale Dobson and Olive Hayden-Moore simply sizzle in the roles of Herr Schultz and Fraulein Schneider. Natalie Rose Sevick is a dynamic Fraulein Kost and doubles as a Kit Kat Girl. The entire supporting cast works as a tight ensemble and are all strong singer dancer actors.

If you’ve seen Cabaret before you’ll be truly surprised by what performing this show in a small intimate setting does for the piece. If you have never seen Cabaret you will be surprised by what a musical can say about the human need for connection even as your world is falling apart. Leave your kids at home, but don’t hesitate a moment to get your tickets before they are all gone.

Highest Recommendation.

Cabaret continues at The Dio through October 30th. 177 E Main Street, Pinckney MI (517) 672-6009 or http://www.diotheatre.com