Drew Benson, Eric VanWasshnova, and Sarah Mazurek in First Date
Photo courtesy Lisa Gavan
During the opening number of “First Date” the ensemble sings it is about “meeting someone you don’t think is fuckin’ tragic”…and that is the starting and ending point for this one-act 2013 Broadway musical. In one funny lyric book writer Austin Winsberg and Alan Zachary and Michael Weiner (music and lyrics) summarize what a first date is all about. The production at Ann Arbor Civic Theatre that opened last night follows two people meeting for a first date in a bar, and the mishegas that goes with it. And it is very funny stuff.
First time director Aaron C Wade does a very good job of moving the action from scene to scene and making it all make sense and assuring that everyone on stage has a standout moment. Jokes come fast, insightful moments flit by in a few seconds, and songs take center stage. The two are joined by a bartender/waiter who’d rather be a singer songwriter, the couple’s family members and friends, one hilarious ex, and other random strangers.
Drew Benson is a good choice for Aaron Goldfarb – he sings well, and makes this neurotic character his own — a hard job when it is so intimately tied with Zachary Levi (for whom the role was written). Sarah Mazurek holds her own as Casey Clark, his more adventuresome date for the night. While their scenes together don’t necessarily sizzle, they do have a naturalness and honesty that makes you root for them from the start. Don’t look for heavy material here — this is a fun romcom and it stays strictly in romcom territory for the evening.
Sarah Sweeter is simply fantastic as Allison, Aaron’s ex-fiancée — her moments with him come to life on stage and it is funny stuff. Wil Lewis III has some nice scenes as his friend Gabe, with an award-winning appearance of a leaf blower. ‘Nuf said. Kimberly Lock also has some nice moments as Casey’s friend Lauren.
There is a hard working ensemble that plays all those other parts — Tina Paraventi, Jessica Dodson-Terlep, Wynton Doty, and Eric VanWasshnova.
The production is choreographed by Gayle Martin and Music Directed by Debra Nichols.
There is a good set designed by Wade, with some nifty props and stage dressings by Christine Blossom — it made me crave a Yuengling beer afterwards. Stage left is occupied by the onstage band with tables scattered around the thrust stage. Costumes by Molly Borneman are colorful and work well for each character.
Not everything is rosy in date land…the sound at times was garbled and it was hard to tell if that was mic levels or if it was vocal diction problems — or both. The opening number in particular was hard to understand. That will no doubt get ironed out as the weekend progresses. There were some stray notes in the band, although for the most part they sound good. There were also some stray notes in the ensemble choral music – ranging from funny to not at all good. A friend made the comment “they sound great individually, but when they sing together something just goes wrong”. Finally, there is a scene change near the end of the show that takes too long and kills some of the momentum heading into the short final sequence.
Still, I laughed a lot, and often. I had fun and was impressed by how much work went into making this ensemble cast come to life on stage in a show that is difficult to act and sing. It is a breezy 90 minutes of laughs…and laugh you will on a cold winter evening at the Arthur Miller Theatre. Go check it out! UM students, pick up this week’s Passport for the Arts and see the show for free!
First Date continues through March 11th at the Arthur Miller Theatre on University of Michigan’s North Campus. Tickets at the door or at a2ct.org/tickets.
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