“The Boys in the Photograph” stirring new musical in Toronto October 4, 2009Posted by ronannarbor in Theatre, Uncategorized.
Tags: Andrew LLoyd Webber, Ben Elton, British musicals, Canadian theatre, choreography, Erica Peck, Mirvish, musical theater, professional theater, Royal Alexandra Theatre, The Boys in the Photograph, Toronto theater
add a comment
The Boys in the Photograph, the reworking of Andrew Lloyd Webber and Ben Elton’s The Beautiful Game, opened last weekend in Toronto at the Royal Alexandra Theatre. This is a stunning work of theatre not to be missed this season.
Where The Beautiful Game told the story in big-budget West End style, this is a pared-down, more intimate production. It explains the goings-on more clearly for those of us on this side of the Atlantic. Call this the “Belfast West Side Story” and you have a close approximation of what to expect — a politically/religiously charged romantic story, set amongst the dreams of soccer, with tragedy thrown in. There’s plenty of pop rock score to keep it all abuzz, and a few terrific ballads thrown in as well. There’s a well-choreoraphed Soccer game; star performances from the young leads, and something to think about on the way out the door. The very fine no-name all-Canadian cast is sure to jump-start some of the careers of these young folks, and set a few hearts aflutter (straight and gay) in the audience as well.
In particular, Erica Peck wrings every note of emotion out of the ballad “If This Is What We’re Fighting For.” It’s an instant theatre classic, and hers will be the rendition people remember, the way Betty Buckley’s “Memory” has been passed down in Musical Theatre history or Jennifer Holiday’s “I’m Telling You I’m Not Going” became Dreamgirls’ iconic moment.
Without giving too much away, I can tell you that the story plays out in the late 60′s and early 70′s in Belfast Northern Ireland, amidst the religious and political turmoil of the times. It speaks of love, and the things that keep us human, and the reality of dashed dreams. There are lively anthems and rock songs; and a very gritty love story. It’s about commitment to a cause, as well as those who just try to sit back and stay out of it.
The show is more similar in style to Webber’s Whistle Down the Wind than it is to his mega-musicals like Phantom. Playwright (and novelist and screenwriter) Ben Elton also directs this production – and he knows exactly what he wants from each actor in each scene, and he knows how to make it all play out in a style that keeps it true to its British roots, while making it more accessible to North American audiences. You don’t need to know much about the violence in Belfast before going in, and creative use of video and newsreels explains everything you need to know in between. But a few minutes into the show, you will feel as if you are in an intimate theatre in London, not one in modern day Toronto.
The Royal Alexandra Theatre itself is a jewel — now 102 years old, most of us will remember it as the longtime home of Mamma Mia! in Toronto.
On a final note, some curious changes were made between this production as The Beautiful Game as I saw it in London and The Boys in The Photograph in Toronto, including some musical changes and the dropping of at least one song that had become a standard. I am looking forward to the new cast recording of this production, because of the significant differences in the score. But the final product is a stirring, emotional, and lovely work of musical theatre. And its rare that modern musicals have a heart as big as this one. Very Highly Recommended.
The Boys in The Photograph continues at the Royal Alexandra Theatre until November 1st (unless it is extended, which it very well could be by the time you read this). Go to http://www.Mirvish.com to buy tickets.